'The Chairs' by Eugene Ionesco

adapted by Richard Negri
The Orator, who has remained motionless and impassive during the scene of the double suicide
[the Old Couple have jumped through the windows to their deaths, plunging into the water
below
], decides after a few moments' effort to speak; as he faces the rows of empty chairs,
he indicates to the invisible crowd that he is deaf and dumb; he uses sign language; desperate
efforts to make himself understood; then from his throat come moans and groans and the sort
of guttural sounds made by deaf mutes.